World Map, 1989. Cut paper on board, watercolor, dry transfer lettering, 40 × 50 inches (101.6 × 127 cm).

Map Dissection I, 1991/1997. Cut paper map, glass, and hardware, 24 × 36 × 0.5 inches (61 × 91.4 × 1.3 cm). 

Map Dissection II, 1991. Cut paper map fragments placed between 200 microscope slides (each slide 2 x 0.75 inches) and arranged on 18-foot aluminum shelf.

Australia from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

England from series Moss Maps, 1993. Chromogenic prints, 9.75 × 14.25 inches (24.8 × 36.2 cm).

Taiwan from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Hawaii from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Sicily from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Bali from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

New Zealand from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Ostrov and Buru from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Novaja Zemla from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Canary Islands from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Madagascar from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Ireland from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Crete from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Iceland from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Falkland Islands from series Moss Maps, 1993. Chromogenic prints, each 9.75 × 14.25 inches (24.8 × 36.2 cm).

Cuba from Series Moss Maps, 1993. Chromogenic print, 9.75 × 14.25 inches (24.8 × 36.2 cm).

Comoros Islands from series Moss Maps, 1993. Chromogenic print, 9.75 × 14.25 inches (24.8 × 36.2 cm).

Coastal Merger, 1993. Reconstructed paper map on board, 22.5 x 14.75 inches

Chloe, 1994. Vitrine with taxidermy pet dog, pillow, towel, carpet, dimensions variable, as displayed in Linda Moore Gallery, San Diego.

Chloe’s Case, 1994. Detail of vitrine with pillow, towel, carpet, framed photograph with text, dimensions variable, as shown in San Diego Natural History Museum.

CARPARK, 1994. Live one-day event, commissioned by inSITE, Southwestern College campus, Chula Vista, CA. Dimensions variable.

World Map II, 1995–96. Cut paper on board, 51 × 36 inches (129.5 × 91.4 cm)

Hand-held Subway, 1996. Cibachrome, 20 × 13.25 inches.

South America from series Geographic Pathologies, 1996. Reassembled paper maps, dimensions variable.

Africa from series Geographic Pathologies, 1996. Reassembled paper maps, dimensions variable.

Italy from series Geographic Pathologies, 1996. Reassembled paper maps, dimensions variable.

India from series Geographic Pathologies, 1996. Reassembled paper maps, dimensions variable.

North America from series Geographic Pathologies, 1996. Reassembled paper maps, dimensions variable.

Japan from series Geographic Pathologies, 1996. Reassembled paper maps, dimensions variable.

Lake Michigan, 1996. Cut paper, 12 × 35 inches (30.5 × 88.9 cm)

Wanted, 1996. Collaboration with Julia Meltzer. One hour audio loop playing in a free-standing room with 6 × 9 × 7 feet interior dimensions.

Songs of the Islands: Concrete Music from New York, 1996-1998. Found audiotape between Plexiglas, paper board, ink, soundtrack, audio player with headphones. 40 × 30 × 2 inches (102 × 76 × 5 cm).

The Nightgown Pictures, 1996-2004. 14 piezo prints and two archival color inkjet prints, dimensions variable.

The Gummy Songs, 1996-1998.

Map of Elgaland/Vargaland, 1997. Excised polyethlyne map between two acrylic sheets. 75 cm × 137 cm × 3 cm.

Surface Spoils: Concrete Music from Europe, 1997. Found audio tape, plastic domes, color photocopies and foam core, dimensions variable.

Austria, Dissected paper map, 9 x 6 inches, 1997, and C-print, 40 x 30 inches, 2006.

Artificial Insemination 1, 1998, C-print, 20 x 20 inches.

Artificial Insemination 2, 1998, C-print, 20 x 20 inches.

Artificial Insemination 3, 1998, C-print, 20 x 20 inches.

Artificial Insemination 4, 1998, C-print, 20 x 20 inches.

Artificial Insemination, 1998, video loop.

Renovated Mushroom (Tip-Top Tire Rubber Patch Kit), 1998. Cibachrome print, 27.25 × 39.5 inches. (69.2 × 100.3 cm).

Rock Family Tree, 1998, thirty framed photographs, each 5 x 7 or 7 x 5 inches, with wooden connectors, dimensions variable.

Transplant, 1998. Cibachrome, 10 x 8 inches, and framed plant fragment with insect wings, 10 x 8 inches.

GIFT/GIFT, 1998. Video, 11:55 minutes.

Finland's Longest Road, 2000. Excised paper map fragment in glass petri dish, 6 x 6 x .75 inches.

Airplane Family Tree, 2000. Ninety-nine inkjet prints mounted to aluminum connected by red graphic tape applied to wall, 28 feet x 10 feet.

Finland’s Unnamed Islands, 2000. Ninety-six paper map fragments between glass microscope slides on aluminum shelves, dimensions variable.

Talking Popcorn, 2001. Popcorn machine, black pedestal, red vinyl base, microphone, laptop with custom-written Morse code program, printed paper bags, popcorn. Dimensions variable.

Talking Popcorn's First Words, 2001. Bronze popcorn kernels in velvet-lined wooden box.

Indecision on the Moon, 2001. Audio, 31:35 minutes, played into dark room, dimensions variable.

Intimate Marine Signals, 2001. C-print, 20 x 24 inches.

Natural Car Alarms, 2002. Six custom-made audio systems with soundtracks installed into cars, dimensions variable.

QUIT USING US, 2002. C-print mounted on aluminum, 18 × 96 inches.

Barnacle Mixer, 2002. C-print, 60 x 41 inches.

Carla and a Friend II, C-print, 24 × 24 inches, 2002.

Carla and a Friend I, C-print, 24 × 24 inches, 2002.

Carla and a Friend III, C-print, 24 × 24 inches, 2002.

Large Barnacled Rock (left) and Extra-Large Barnacled Rock (right).

Extra-Large Barnacled Rock, 2002. Rock with barnacles and plastic googly eyes in velvet-lined wooden box.

Endurance, 2002. Video installation.

Natural Crossdressing, 2002. C-print.

Animal Crossdressing, 2002. Two framed c-prints, each 32.5 × 40 inches, vitrines with animal costumes, dimensions variable, and single-channel video, 3 minutes.

Crossdressed Snake, 2002. C-print, 32.5 × 40 inches.

Crossdressed Rat, 2002. C-print, 32.5 × 40 inches.

Self-Portrait of the Artist as an Artist, 2002. C-print, 6.5 x 4.5 inches.

Self-Portrait as Sir Ernest Shackleton, 2002. C-print, 5.4 × 8 inches.

Parasite, 2003. Sited installation, rocks with 200 resin-cast rock climbing holds, dimensions variable.

Parasite 1, 2004. 31 x 44 inches framed.

Parasite 2, 2004. 31 x 44 inches framed.

Ant Static, 2003. Video with sound.

Birdhouse/Outhouse: The Semiotics of the Forest, 2003. Four C-prints, each 20 × 12 inches.

Too Late, 2003. C-print, 32 × 47 inches.

Telemarketing Indeterminacy, 2004, audio work.

Accent Elimination, 2005. Six-channel video with sound, six televisions, three pedestals, dimensions variable.

The Recovery Channels, 2005. CRT television, hidden laptop, customized remote control, and fourteen hours of browsable footage transferred from found discarded videotape.

Office Semaphore, 2006. Interactive public art sculpture commissioned by Public Art Fund and installed at One Chase Manhattan Plaza.

Please, Please, Pleased to Meet'cha, 2006. Six soundtracks and twelve bullhorn speakers mounted to trees.

GRNAD OPENING, 2006. C-print, 16 × 20 inches.

GRNAD OPENING banner, Tang Museum, 2006.

Fugitive, Six-channel synchronized video installation, 2007.

Mystic Shark, 2007. Video with audio, 4:35 minutes.

Heartland, 2013. C-print, 29 × 40 inches.

Globe I, 2019. Digital chromogenic print, 24 3⁄4 × 24 3⁄4 inches. (62.9 × 62.9 cm).

Lucy Katchadourian (American, birthplace unknown, ca. 1914–2001), Embroidery sampler, ca. 1923, 26. 15 × 20 1⁄2 in. (38.1 × 52.1 cm).

Plant #1, 2021. Ceramic soap dish, scrubber sponge, paper-covered wire, orange rubber paint, polystyrene foam beads, 8 11⁄16 × 5 1⁄8 × 3 1⁄8 inches (22 cm × 13 cm × 8 cm).

Plant #2, 2021. Ceramic soap dish, scrubber sponge, paper-covered wire, egg carton, metallic foil from product packaging, N95 mask fragments, 11 × 5 1⁄8 × 5 1⁄2 inches (28 cm × 13 cm × 14 cm).

Plant #3, 2021. Ceramic soap dish, scrubber sponge, wire dental brushes, orange rubber paint 4 3⁄4 × 5 1⁄8 × 3 1⁄8 inches.

Plant #4, 2021. Ceramic soap dish, scrubber sponge, paper-covered wire, N95 mask fragments, ping pong ball pieces, polystyrene foam beads, 12 3⁄16 × 5 1⁄8 × 3 1⁄8 inches (31 cm × 13 cm × 8 cm).

Plant #5, 2021. Ceramic soap dish, scrubber sponge, paper-covered wire, ping pong ball pieces, polystyrene foam beads, orange rubber paint, 9 7⁄16 × 5 1⁄8 × 3 1⁄8 (24 cm × 13 cm × 8 cm).

Plant #6, 2021. Ceramic soap dish, scrubber sponge, paper-covered wire, rubber tips from dental brushes, 5 1⁄2 × 5 1⁄8 × 3 1⁄8 inches (14 cm × 13 cm × 8 cm).

Plant #7, 2021. Ceramic soap dish, scrubber sponge, spaghetti, orange rubber paint, metallic foil from product packaging, 11 7⁄16 × 5 1⁄8 × 3 1⁄8 (29 cm × 13 cm × 8 cm).

Plant #8, 2021. Ceramic soap dish, pumice block, paper-covered wire, crepe paper, rubber tip from dental brush, glass-head Pin, 9 13⁄16 × 8 11⁄16 × 8 11⁄16 (25 cm × 22 cm × 22 cm).

Plant #9, 2021. Scrubber sponge, spaghetti, orange rubber paint, 8 11⁄16 × 5 1⁄8 × 3 1⁄8 (22 cm × 13 cm × 8 cm).

Plant #10, 2021. Ceramic eggcup, ping pong ball, polystyrene beads, steamer paper, shredded kitchen wipes, 6 5⁄16 × 5 1⁄8 × 5 1⁄8 inches (16 cm × 13 cm × 13 cm).

Plant #11, 2021. Ceramic eggcup, ping pong ball, crepe paper, wool, toothpicks, ink, 10 1⁄4 × 5 1⁄8 × 5 1⁄8 inches (26 cm × 13 cm × 13 cm).

Plant #12, 2021. Ceramic eggcup, metallic foil from product packaging, crepe paper, monofilament, polystyrene beads, 5 7⁄8 × 1 15⁄16 × 1 15⁄16 inches (15 cm × 5 cm × 5 cm).

Who’s Afraid of Virginia Woolf?, from the series Look Who’s Talking, 2022, from the project “Sorted Books,” 1993 and ongoing. Digital chromogenic prints, 15 × 12 1⁄2 inches.

The Case of the Worried Waitress Chilly Scenes of Winter from the series Look Who’s Talking, 2022, from the project “Sorted Books,” 1993 and ongoing. Digital chromogenic prints, 15 × 12 1⁄2 inches.

The Case of the Worried Waitress Chilly Scenes of Winter from the series Look Who’s Talking, 2022, from the project “Sorted Books,” 1993 and ongoing. Digital chromogenic prints, 15 × 12 1⁄2 inches.

Big Sur from the series Look Who’s Talking, 2022, from the project “Sorted Books,” 1993 and ongoing. Digital chromogenic prints, 15 × 12 1⁄2 inches.

Dialogue over a Ouija Board from the series Look Who’s Talking, 2022, from the project “Sorted Books,” 1993 and ongoing. Digital chromogenic prints, 15 × 12 1⁄2 inches.